Afterwards, a new scale in a new key is introduced and the process is repeated. Some piano books handle harmonic understanding with presenting a new scale to the student. Why the approach of most piano books fails. If this process is interesting for you, you can download a free guide and a checklist for you to print (including circle of fifths). I'm happy to share my experience with you and hope that you can gain some insights from it, either as a player or as a teacher. Whenever I do this, the effects and benefits are fantastic. I invest a lot of time in a lesson with basics, more so than with pieces, always working on the player's sound, understanding of harmony or their capacity to react. The language of piano is harmony and it's expected of piano players to move between keys as if they moved between rooms in their home.Īll piano players can learn to think in harmony and conquer the keyboard. Information - Concerts, News,FAQs, Archives.
Organs - Electronic (B3 etc.), Pipe, Theatre. Who's Who - Professional Pianists on Piano World Member Recordings - Non Classical Pianist CornerĮVENTS! Piano Concerts, Recitals, Competitions.įun Stuff! - Parties, Tours, Projects & More.įorum Members Parties, Tours, Cruises, & M. MY NEW PIANO or KEYBOARD! - Share Your Story! The phenomena are based on the same acoustic principle, but the sound and required implementation are different, which is why a keyboard can have one and not the other.ĭigital Pianos - Electronic Pianos - Synths &a. So the results sound different, the samples employed are different, the programming needed is different. If instead you hit that low C chord and then depress the pedal and then play that higher C note, many strings will resonate.
If you hold a C major chord down with your left hand, and play a C note with your right hand (no pedal involved), that lower C will resonate, and to a lesser extent, the E and G will resonate as well. I would consider them to be two different features. They are perhaps implemented differently and therefore listed as two different "features" although it is actually one. Physically they are the same phenomenon, right? One string is undamped (because of pedal or becaause it is pressed) and another is played. I don't know about "acoustic resonance" (wahtever that is) but I don't understand the distinction between string and damper resonance.
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